Dit zijn alle films en series die Eric heeft gerecenseerd. Lees meer op: The Movie Waffler.
Aantal filmrecensies: 2313 / 2313
Opties
There simply isn't enough to keep horror fans engaged, and with its preference for lore over gore, The Curse Begins is a bit of a bore. Recensie
The Instigators' biggest problem is its complete lack of stakes. Neither of the two protagonists seem to care whether they get caught or killed. Recensie
By the end of Tuesday's exasperating two-hour run time you might be yearning for a release from this mortal coil yourself. Recensie
What really dogs Trap's second half is the amount of plot contrivances that just don't hold up to scrutiny. Recensie
Good One is a patient drama whose tension sneaks up on you. Recensie
It's frustrating that Consumed fluffs its lines in this regard as there's a more interesting film to be mined from the idea of a sick person being targeted by an entity specifically because of their affliction. Recensie
The movie develops into a well-meaning look at a young man trying to make the most of his life but it's rather pedestrian in how it conveys this. Recensie
Inheritance tells its story with machine-tooled precision, but it's recognisably human in its emotional messiness. Wilson, James and Garces have left an impressive calling card with this zippy but sensitive tale of familial strife. Recensie
The film's one asset is Kirk, who fully commits to the part and as she previously displayed in The Lair, is every inch the convincing action heroine. Recensie
Hennig and Murphy will no doubt get more work from this, but the audience is left to wonder how they might fare with more substantial material. Recensie
As Bernard, Nelson delivers a knockout performance, the sort that would prompt a boxer to immediately retire because they suspect they'll never be this good again. Recensie
There's barely enough material here to hold our interest for a 20 minute short, making Divinity a largely insufferable experience. Recensie
Sometimes we might feel like we want to retreat to some metaphorical home planet, that maybe there's another world that's a more comortable fit, but we're stuck here on Earth with humans and all their flaws. The only way to survive is to make peace with the fact that sometimes hell is other people, but other people can also be heavenly. And sometimes they make movies as endearing as Sky Peals. Recensie
It won't develop a Reservoir Dogs or Usual Suspects cult following, but as a rare post-Tarantino ensemble crime thriller that plays its scenario with a straight face, Detained is worth interrogating for 97 minutes. Recensie
What makes the film's later scenes so devastating is the intoxicating nature of the early scenes as Owen and Maddy bond over their favourite show. Recensie
The Weak and the Wicked is strongest when observing the quotidian details of life behind bars for women. There are grim moments that remind us of what a cruel era this still was despite progressive efforts at reforming the prison system. Recensie
The sets are the only artifical aspect of Thompson's film, which portrays its world so vividly you can almost smell the uncollected garbage... Recensie
Springall is captivating as a child grappling with the fact that her father might be a monster, but the movie does her performance a disservice by making everything clear from the start to both Willow and the audience. Recensie
It's a dynamic we've seen in countless movies where maverick cops give their chiefs ulcers with their dogged determination, but here it's tied directly to '90s communist China's obsession with keeping up appearances. Recensie
The Echo's realm is palpably elemental, a vividly portrayed existence of dirt, water and flame, visually culminating in the trifecta of a lightning storm. A languid and poetic representation of an unsung society. Recensie
Thelma has a similar setup to the recent Dale Dickey headlined thriller The G, but where that movie traded in gritty realism, Thelma opts for a light comic approach. Recensie
By embracing the simplicity of their setup, Mulholland and the Kohnens have crafted a comic thriller that recalls the b-westerns of the '50s and the rugged, bloodsoaked action movies of the '70s, all while keeping its tongue lodged firmly in its tobaccy chewin' gums. Recensie
Twister was no masterpiece but its sequel is so devoid of anything that might hold our attention that it plays as though a tornado has swept through the 1996 movie and laid waste to most of the elements that almost made it work. Recensie
Matthew Herbert's score swells with ethereal wonder in moments of horror, reminding us that while we may recoil from what we're seeing, for Richard and Juliette it's a spiritual rebirth. Recensie
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