These are all the movies and series that Eric has reviewed. Read more at: The Movie Waffler.
Number of movie reviews: 2264 / 2264
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While everyone involved likely wants to put Jane Got a Gun behind them, the film that finally makes it onto screens is far from a trainwreck. It's a coherently made western with competent performances; it's just not very compelling. Review
The marketing for Captain America: Civil War encourages viewers to choose a side - Team Cap or Team Iron Man. I'll side with the referee; they can't blow the final whistle on this mediocre franchise soon enough. Review
Friend Request is yet another sub-mainstream horror movie that shows no understanding of its genre. It's devoid of the basic elements that make horror work; tension, suspense and atmosphere are shunned in favour of - BANG - jump scares, as per bloody usual. To quote one of the film's more amusing lines, "Unfriend this dead bitch!"... Review
Elba's Briar is such a stereotypical action cinema protagonist you can almost see plastic chads hanging from his frame, indicating where he's been broken out of a mould. Once he hooks up with Michael, the movie begins to reference every '80s action movie possible. Review
Criminal may be packed with star names, most of whom likely spent no more than two days on set, but it establishes its b-movie sensibility early on, a welcome relief from the many Hollywood movies that go out of their way to be taken seriously despite boasting similarly ridiculous premises. For the most part, the movie is a lot of fun, and it's only its extended running time that stops it short of becoming a future Friday night... Review
There are plenty of movies that prove hanging out with boisterous young American men can be not just fun, but enlightening; Big Wednesday, Breaking Away and Fandango are three of the best, but Linklater's film has none of the melancholic uncertainty that elevates those examples. Review
If you walked into the cinema unknowingly, you could be forgiven for believing you had stumbled into a screening of an episode of Starsky & Hutch. An amateurish energy keeps the film moving at a rapid pace, even if it does get bogged down at times in the underdeveloped Frances Taylor subplot. Review
I can't recall a single line of dialogue from Our Little Sister, but I remember every scene vividly, and I know exactly how each one made me feel. This is the mark of a truly great filmmaker, and Koreeda may be the greatest orchestrator of quietly conducted human drama working in cinema today. Review
This testosterone-fuelled, sadistic and misogynistic horror show is an endurance test all but the most ardent supporters of GamerGate will fail. Its effects are certainly breath-taking, but rather than asking "How did they do that?", we find ourselves asking "Why did they do that?"... Review
Trier and Vogt have fashioned a very human set of humans. I'd gladly watch more relative non-adventures of the Reed family, but I'll settle for whomever else Trier decides to study under his finely tuned microscope. Review
Like the great Disney movies of old, The Jungle Book knows how to scare, delight and thrill children, of all ages. Not taking your kids to see this would be an act of parental neglect, but I advise all adults to see it themselves, children in tow or not. Trust in me. Review
Ultimately, THWW is a tale of confusion. Asked to shove a square peg into a round hole, the screenwriters are unable to come up with a convincing and simple narrative, leaving the audience scratching their heads in a futile attempt to make sense of any of this. But... Review
Those with an interest in mathematics will likely consider this a wasted opportunity to bring one of their heroes and his work into the public sphere - but casual viewers will find it a harmless time passer, thanks mainly to a charming performance from Irons. Review
Dheepan promises a ripped from the headlines examination of the immigrant experience, but ultimately devolves into a generic vigilante thriller. It's a Michael Winner movie for the cheese and wine set. Review
Hood sets up some simple elements that effectively rack up the tension; the loaves of bread on the little girl's stall is a wonderful, Hitchcockian device that visually acts as an ambiguous and nerve-wracking countdown, causing us to shout at the screen for passersby to purchase some bread. Hood's loaves of bread generate as much nervous sweat as Hitchcock's glass of milk in Suspicion. Review
It's a simplistic plot, but one that should suffice for an action romp. Snyder doesn't do romps though, and this is the most humourless and dialogue heavy superhero movie we've yet seen. I feel sorry for any kids who watch this - they may as well sit through All the President's Men for all the fun they'll have. Review
Schipper gallantly defies industry conventions by allowing top billing go to his cameraman Sturla Brandth Grovlen, the real star of the show along with Costa. Over the course of two plus hours, cameraman and actress waltz through a skillfully choreographed ballet of cinematic ecstasy. Victoria may be shot on digital, but otherwise this is nuts and bolts analogue filmmaking at its most glorious. Review
If you're expecting grand-standing speeches, you'll find Tamhane's courtroom anti-drama as frustrating as Vinay finds the Indian justice system. But if you appreciate a realistic and nuanced examination of the struggle to make progress in a society that keeps one foot firmly wedged in the mud of the past, Court makes for a mostly fascinating watch. Review
Winocour's disdain for plot in favour of tension (much of it sexual) and atmosphere building is refreshing, particularly when so deftly handled. This is a filmmaker of abundant potential. If Disney paid attention to world cinema, Winocour would no doubt find herself offered a Marvel movie. Review
Larrain keeps us at a distance, rarely judging his characters; let's face it, enough judgement will come from the viewer.Do we need yet another movie demonising the Catholic Church? Well until the church is willing to exorcise its own demons, the answer is sadly a resounding yes. Review
While the script's lack of focus proves irksome, Bryn's direction keeps his film just about ticking over, along with three great performances, made all the more impressive when you consider Jones, Elwy and Dwyfor are performing in what is presumably a second language for them. Richard Stoddard's cinematography combines with the misty Welsh landscape to create images of stark beauty. Review
10 Cloverfield Lane is far too well made to be ruined by its title, but it's a shame viewers are denied the chance to experience the film as a completely blind watch and enjoy it as the expertly constructed adult genre thriller it is. Review
On the surface, Nichols has fashioned a flawless imitation of an early '80s Spielberg/Carpenter sci-fi outing, but scratch beneath its polished and textured facade and there's little holding Midnight Special together. Just as Starman was lesser Carpenter, this is lesser Nichols, but it's still the work of a highly accomplished filmmaker, with enough surface sheen to keep nostalgic cinephiles engaged. Review
Whether you take the events presented in Risen as 'gospel' fact or merely a compelling story plucked from a book best regarded as no more than a great piece of historical fiction, Reynolds' film is arguably the best example of its type since the days when Hollywood studios poured their full resources into 'tales of the Christ'. Review
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