Movie reviews of Jeffrey Rex Bertelsen

An impressive Danish period drama that is buoyed up by an engrossing and deeply felt performance from Danish screen legend Jesper Christensen. Review

As a comedy, it is very stale. Review

Benedict Cumberbatch is very engaging here, and, just like the film got lost in its subject, it is very easy to be enthralled by Cumberbatch’s inspired energy. Review

Because it is a positively intoxicating nostalgic film experience, but, it isn’t perfect, and, perhaps by design, I suspect that the film only really works if you have a previous relationship with the original film. Review

Has its heartwarming moments wherein the importance of family is emphasized, but her film mishandles some crucial moments of comedy and drama, and Lionheart is largely much too predictable. Review

With a tighter script Destroyer could’ve been a true cult-favorite, but the overwrought script that Kusama works with here overwhelms the film. Review

Bandersnatch isn’t as rewarding as I hoped it would be, but it is a compelling experience, at least, on your first few viewings or playthroughs. Review

A patient but deeply moving and human story in the context of something much larger and more historic. Review

The most stylish superhero film of the year, but it is also a film that carries a worthwhile message about the importance of the everyman that gets right to the heart of the web-slinger we all love. Review

An overwhelming cinematic full-course dinner that’ll make you full, even if it does somewhat feel like Wan and the writers mashed up two Aquaman movies and turned them into one. Review

An adequate but unspectacular alternative to the extraordinary and kid-friendly The Jungle Book that Jon Favreau made for Disney in 2016. Review

It is Lars Von Trier’s own version of American Psycho complete with self-importance, a loony but brilliant central performance, and fascinating introspection. Review

Although I think the film is uneven and has character problems, I still highly recommend A Star is Born, which, all things considered, is an irresistible, audience-pleasing directorial debut for Bradley Cooper. Review

A twisty and challenging ensemble film heist drama, which may just be director Steve McQueen’s most accessible feature film yet. Review

The beasts are fantastic and Hogwarts still feels like home, but, with that, I’ve run out of positive things to say about this film. It genuinely feels like multiple different films crammed into one unengaging final product. Review

A well-designed period-specific anthology film that manages to be both morbid and hysterically funny. Review

Guadagnino’s passion project is an art house film that is fascinated by themes that make it a much more complicated, convoluted, but, honestly, interesting film. Review

A no-holds-barred Wolfensteinesque action-horror war film that is inhabited by characters whose designs are as thin as cardboard. Review

We will never know if this final product is exactly how Welles intended it to be, but I see the method in the sometimes maddening film. The Other Side of the Wind is a diamond in the rough. Review

A visually interesting, deeply personal and unique documentary. Review

Although there are plenty of problems with the film itself, Rami Malek’s extraordinary performance makes this a film you absolutely should see... Review

The Haunting of Hill House‘s beautiful blend of scares, sadness, and catharsis is the best horror entertainment that I’ve seen this year, even though the ending wasn’t quite as perfect for me as I had hoped it would be. Review

The film’s emotional journey is haunting and devastating. Damien Chazelle has done it again. First Man is a technical achievement and one of the best films of the year. Review

A wonderfully stylish ensemble thriller and exactly the kind of original studio product that the film community should champion in this superhero-dominated era of American cinema. Review