Movie reviews of Hope Madden

In many respects, The Burning Sea is just another by-the-numbers disaster flick. But in dialing down the bombast, Anderson’s film creates a level of authenticity that’s much scarier. Review

A muddy backstory and slight anticlimax keep the film from utterly beguiling, but the coming-of-age center impresses. Hellbender delivers a moral ambiguity that questions society’s fear of female power. Review

This new Cyrano is another hit and miss for Wright, but Peter Dinklage retains his crown as the most endlessly fascinating and watchable actor on the screen. Review

Strawberry Mansion’s cynicism butts up against a wholesome romantic nature in one of many ways that the filmmakers’ form perfectly matches their purpose. Review

It’s a worthy message trapped in a sincere, tonally chaotic, humorless, lazily constructed mess of a movie. Dog has merit I did not expect going into it. I wish it was a better movie. Review

This same lack of clarity or commitment begins with Bull’s script, which builds slowly to an energetic if fizzling climax. For all it has going for it, A Banquet answers none of the questions it asks and leaves you wanting. Review

Is Marry Me an opportunistic music video/hit single/Valentine’s Day date bundle orchestrated by a savvy business mogul? It is. And it’s fine. Plus, if it goes well, maybe she’ll take on another really good character next time. Review

Alone with You feels a little bloated. But the mystery at work binds with a horrifying sense of familiarity to manufacture enough scares to keep you guessing. Review

Koreeda’s wistful film escapes all of that. Doona’s delicate performance brings heartbreaking tenderness to the existential dread underlying the story. Review

Not every performance is as strong, but Kipp’s ensemble finds nuance in characters that help the film compel more than just terror. Review

It’s almost amazing how much happens in a film that feels so meandering and lethargic. Sundown defies expectations, but it’s all the better for it. Review

Jon Sherman and Melissa Vogley Woods craft a tender, witty tale of life, love and kink in Columbus. Review

It’s one of Almodóvar’s most tender films, and one of Cruz’s very finest performances. And though both always play well together, they have again found something new and remarkable to say. Review

The end result is a pleasant enough chance for Karloff fans to soak up like-minded love of one of cinema’s greatest genre performers. Hopefully everyone can come away from it with a list of new Karloff movies to discover. Review

More experimental in nature, at barely an hour, Side B is also more tedious. Review

Side A is the novel and impressive work. Review

There’s power here, especially in Seyfried’s raw performance. For all its flaws, A Mouthful of Air is a film you’ll be thinking about long after the credits roll. Review

It’s a standalone blast. But if you grew up on these movies, this film is like a bloody message of love for you. Review

Like any truly strong documentary, her film not only covers its topic comprehensively, it inspires you to dig deeper on your own time. Review

Leaosavai’I and Murnane have little but joy to share when they remember the ups and the downs. Regardless of the fact that the outline is the same as many an entertainment doc, the soul is as jubilant as the music. Review

Chances are strong that, between the intentionally flat performances and the supremely WTF plotline, The Scary of Sixty-First will not land with most audiences. But it’s a wild vision and I’m not sorry I caught it. Review

It’s nostalgic. It’s uproarious, dangerous, just-this-side-of-innocent fun. It’s a near-masterpiece. Review

The film looks good. It’s too long, but all of them are. (All of the Matrix films, or all films in general? Both.) The action doesn’t entirely live up to the originals, but how could it? Review

Though Selhami’s cinematic storytelling shows some weak spots, he and his creepy film are part of a movement expanding the look and language of horror, and that’s worthy of applause. Review