Movie reviews of George Wolf

You may catch on early to that destination, but the real test of how Glorious will hit you is how much love you have for Lovecraft. Even if it’s minimal, this is a bathroom break full of squalid, forgettable fun. Review

Looking back, most everyone involved now admits that they should have looked closer at Brandon Lee. Entertaining a yarn as it may be, My Old School might have been more compelling by doing the same. Review

Those well-known monster calls fuel the tension, the action is thrilling, and the blood is splattered with pride, complete with unmistakable callbacks to the original 1987 film through both movement and dialog. Review

At times Geller and Goldfine lean back on biography just when the musical detective work is cooking, but A Journey, A Song ultimately connects the two with a resonant thread. Review

It’s a funny and entertaining mystery caper, self-effacing but not afraid to wander into some dark places, with a social conscience that Novak reveals in organic and endearing ways. Review

Shephard is a filmmaker with vision and voice, and she’s able to address the social media revolution with a better handle than most on juggling the serious and the satirical. Review

But at just under two hours, the doc’s expanse errs more on the side of Gwar devotees (like Weird Al, one of the famous fans Barber features) than neophytes, and that’s probably as it should be. Wear that goo as a badge of honor, This Is GWAR and this is for you. Review

Even at its most familiar, the film carries a freshness that comes from never losing empathy for the type of characters generally used as convenient fodder. The Wheel believes in them, and that makes all the difference in the ride. Review

Where the Crawdads Sing does Southern Gothic like Justin Beiber doing Delta blues. You’ll recognize the words and music, but any true feeling is bogged down by all the polish. Review

Challenges and complexities from the film’s earlier moments melt away, and Both Sides of the Blade becomes a moving and rewarding psychological study. Review

Don’t be fooled by the relentless positivity here. Gabby Giffords Won’t Back Down isn’t simply a greatest hits mixtape made by fans for more fans. It’s a gritty story of survival, and of making a commitment to making a difference. Review

Nikou’s beautifully realized world resembles the present day, but it is consistently quiet, slow paced and free of digital tech (hence the Polaroid). The film’s comment on disassociation is a compelling surface layer, but Apples has a more haunting goal in mind. Review

These rich personalities push aside the caution tape and stacks of knick knacks, inviting us in to honor the legacy of a place they call home. And, as the best of these stories often do, the intimacy actually allows for a more universal resonance. Review

McDonagh’s touch here can feel sluggish in spots, but this first-rate ensemble always keeps things compelling. Review

And like much of the best satire, Official Competition is talking about one thing, but saying something else. Its barbs aimed at the movie business may be silly, acerbic and insightful, but none can hide the respect this film has for the entirely mad nature of the creative process. Review

Elvis is stylistic, well-performed and often highly entertaining. But with an overlong running time of 2 1/2 hours plus, you’d think there would be at least a little room left to go full Luhrmann. Review

The film may not always share Maurice’s grand ambitions, but it has plenty of good humor and nearly overflows with crowd-pleasing charm. Review

And you know what? We deserve it, too. Good Luck to You, Leo Grande is a simply wonderful look at embracing who you are and what you want. It’s funny and empowering, warm and touching, even heartbreaking at times. Review

Just make sure you sit tight for the final half hour. That’s when Lightyear delivers the kind of action and pizazz that just might make a kid change his Christmas list. Review

It’s also another example of Sandler’s versatility, and the good that comes from surrounding himself with unique voices. When Sandler cares, he shines. Review

At times funny, uncomfortable, and heartbreaking, Tahara is an ambitious and ultimately moving film, from a pair of voices we should look forward to hearing again. Review

And from the friendly bystander who jokes about the creeper’s “crush” to Francis’s weak-willed humoring, Okuno envelopes Julia in male gazes that carry threats of varying degrees, all building to a bloody and damn satisfying crescendo. Review

The Bob’s Burgers Movie is here to super serve the regulars. There may be too much fatty in the patty to attract many new converts, but if you’ve already memorized the specials, belly up for a deluxe portion. Review

It is a bit of rope-a-dope from Kelner, but he wants you to be horrified. And when you are, he’s waiting to challenge your convictions with a lifestyle change that’s framed as the only logical choice. Review