Movie reviews of Jacob Richardson

A muted Guy Ritchie creates an intriguing, but at times cheesy, revenge-heist hybrid. Review

This is the Andra Day show, and it’s a show you’ll want a ticket for. Review

Chloe Zhao’s Nomadland showcases all that makes the American experience unique and inspiring; it’s sprawling natural landscapes, the humility of its people, and the resilience of the human spirit. Review

Pretty to look at, but this Lord of the Flies-lite space tale is laughably bad. Review

Nothing can save this actioner from the bland betrayal of its human elements - not even these two Titans ripping each other apart. Review

Unfunny in almost every sense, and frequently poorly made from a technical perspective, Tom and Jerry is disappointing fare. Review

French Exit is unapologetically niche, but undeniably a gorgeous, hilarious and engaging piece of cinema. Review

This movie sucks. It is utterly unwatchable, and truly a crime against cinema. I hated watching it, I hated reviewing it, and I would hate for you to have to suffer through it too. Stay away from this in any capacity. Review

An intriguing, and relatively lighthearted, story of drug running in Paris. Review

A by the numbers piece on the plague of addictive big pharma and the crisis of our time - Oxy addiction. Review

This is unmissable cinema. Run don't walk to catch this in the cinema. Review

Boss Level is perfect for what it intends to be. An incredibly fun, funny and action-packed time at the cinema. Review

Stock-standard and unassuming, The Food Club is nevertheless a heartwarming tale. Review

The Little Things fills its runtime with beautiful cinematography, some great performance work and a desire to subvert expectations, but all up it feels much like the justice achieved by these detectives - workable, but dissatisfying. Review

A beautiful nugget of an idea, ruined in its execution. Review

A slow-burn revelatory experience, highlighting the reality of colonial Australia. Review

Occupation: Rainfall is an overly busy and ambitious piece that, despite largely failing, is a convincing argument for developing Australian sci-fi as a genre. Review

WW84 is pretty disappointing - a surface level plot, barely held together. For a character who was holding up the DCEU, one expected better. Instead, we’ll have to settle for yet another star turn from Pedro Pascal. Review

The Dry isn’t changing the face of cinema - it’s doing what we’ve seen before, just really, really well. For fans of the genre, or even for fans of big budget cinema in general, this is a must see. Review

Technically serviceable, but undeniably detestable. Review

The anti-Tenet, this plotless movie is aggressively dumb. Review

The Witches is a bit of a mess, but the bright spots are just enough to paper over the dull ones. Review

This is a worthy addition to the Christmas movie pantheon, but it’s ending rings hollow due to the subverted character arcs. Review

It stays with you long after you leave the cinema - that weirdly enjoyable, oddly engaging movie that dealt with grief, heartbreak, and loss, along with a healthy dose of gruff action and drama. Review