Dit zijn alle films en series die The Massie Twins heeft gerecenseerd. Lees meer op: Gone With The Twins.
Aantal filmrecensies: 1262 / 1262
Opties
The end result is simple yet cinematic, unrealistic yet effectively fanciful, combining eventide action, a genuinely suspenseful rescue and showdown, and a charming finale. Recensie
By the end of it all (which takes a long time to reach, considering the colossal length), the unexplained powers and the utter lack of definitions surrounding the stars and their opponents lends to the feeling that solutions and resolutions are made up on the spot. Recensie
The film isn’t dull; there’s something absorbing about the most basic notion of warring factions vying for superiority over resources and civilians. Recensie
The French Dispatch is a terribly funny, intermittently tender, tremendously pleasant work. Recensie
It’s difficult to fully appreciate (and judge) a piece of a story as anything other than the fragment that it is, even if Villeneuve’s acumen for visual imaginativeness is extraordinarily spellbinding. Recensie
Conspiracies complicate the plot, but it’s not long before the premise crawls yet again. Too many of the groups are watery and tedious. Recensie
When Last Night in Soho attempts straightforward horror, it likewise fails miserably, embracing every trope imaginable, while inundating viewers with so many mirror-based boo moments that no sequence with a reflection maintains any sort of surprise. Recensie
It’s the creative violence and the set and character designs that prove to be most fascinating (as well as the unexpectedly action-packed yet geographically nonsensical climax). Recensie
Cheesy screen wipes, impromptu rap verses, extreme overacting, and bad dialogue further disrupt the flow of action and comedy. Recensie
Despite returning once again to the titular, powerhouse showdown, the bulk of the picture is an emotional, riveting drama of distorted facts, twisted justifications, and weighty outcomes, hinging on a societal bravery that matches up to the intensity of the battlefield. Recensie
Fortunately, every time the central romance falters, eccentric subplots crop up – the best of which is the impressionable Warfield. Recensie
The film uses the half-mockumentary, half-absurdist-comedy format to design a series of continuous one-liners and gags that never let up. Most of the jokes work, though they’re all relatively small. Recensie
Though the script is chirpy and intermittently clever, layered with chases and action and violence, the lead character is a major weak spot. Recensie
By the end of it all – and what a rough, inconsequential ending it is – it’s evident that the filmmakers have no idea what to do with these characters and their super-antihero capabilities. Recensie
Younger generations will surely enjoy the stabs at updated political and social correctness, while longtime fans will pick up on the various nods, connections, and revelations that tie into the larger Bond universe, but there are simply too many needless subplots, characters, and simultaneous missions going on, diluting any sense of excitement. Recensie
An assassin with a moral code and an uncommon sense of compassion aren’t new, particularly when combined with modern gangsters and the authorities closing in – authorities led by a rather sporting cop. But Woo’s attention to graphic details, his insistence on excessiveness, and his skill with action sequences make this adventure an uncommonly severe and tense ordeal. Recensie
But the film refuses to be so simple as to merely have Daniel guide Lucy in the right direction; his sacrifice leads to a potent revelation – one tragically mature and unexpected for this otherwise mirthful fantasy. Recensie
With a spectacular sense of adventure, plenty of romantic complications, and a classic beauty-and-the-beast scenario, this particular adaptation of Victor Hugo’s immortal tale is one of the best. Recensie
Much of the film feels as if an excuse for the cast to surf and skydive – a curious combination of daredevilry. But seeing Reeves play a vastly different character than usual is refreshing; he’s intermittently convincing as an action hero, even if his emotions don’t quite land. Recensie
After the last theatrical chapter, it should have been clear that something about the formula needed to change, yet the filmmakers have insisted upon preserving the abundance of unnecessary supporting roles, the repetition of Superman’s solutions to unimpressively destructive forces, and special-effects-heavy action sequences for which the available technology struggles to present sufficient visual excitement. Recensie
The unhurried nonchalance and open-ended storytelling are aggravating, while the lack of adventure is deafening. Recensie
Most of all, it’s the main characters and their relationships (and performances) that are most rewarding, even if the finale mostly sacrifices sentimental satisfaction for sobering realism and incredibly unbelievable timing... Recensie
It’s still obvious who will come out on top; while borrowing sequences from The Terminator and Assault on Precinct 13 and a wealth of other cop thrillers, this film fails to introduce anything remotely fresh. Recensie
The pacing is exceptionally well executed, keeping up a speedy momentum, leaving very few moments for lulls. Comic relief does surface – primarily from Betty White as a formidable homeowner and from Mark Rolston as a whiny police officer – but the attention to action and stunts is consistent. Recensie
Wat is Veboli?
Veboli geeft persoonlijk filmadvies, zodat je makkelijk de juiste film kiest die bij je past. Lees meer
Blijf op de hoogte
Lees de Veboli blog
Heb je een vraag?
Stuur ons een bericht
Nederlands